Book
The wall in the middle of the book / Jon Agee.
Record details
- ISBN: 9780525555452
- Physical Description: 1 volume (unpaged) : colour illustrations ; 30 cm
- Publisher: New York : Dial Books for Young Readers, 2018.
- Copyright: ©2018.
Search for related items by subject
| Subject: | Walls > Juvenile fiction. Toleration > Juvenile fiction. Knights and knighthood > Juvenile fiction. |
| Genre: | Humorous fiction. |
Available copies
- 1 of 1 copy available at Pemberton and District Public Library.
Holds
- 0 current holds with 1 total copy.
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Pemberton and District Public Library | E AGE (Text) | 31894000520766 | Picture Books | Volume hold | Available | - |
- Booklist Reviews : Booklist Reviews 2018 September #1
*Starred Review* A tall brick wall runs through the gutter of this book. On the left, a narrating knight mounts a ladder to replace a brick. He's convinced the wall is a good thing because it protects his "safe" side from dangers on the other. Wild animals and a large man (the knight insists he is an ogre) live on the right side of the wall. "If the ogre ever caught me, he'd eat me up," states the knight with certitude. What goes unmentioned is the water rising underneath the knight and a lot of predator-prey carnage beneath him. Eventually the knight falls into the water and is rescued by the ogre (who is actually a nice guy), and everyone ends up happily on a final spread that pays homage to Maurice Sendak's wild rumpus. Agee's signature cartoon artwork employs simple shapes, white backgrounds, and muted colors, appropriate to the deadpan delivery of the story. The ogre and animals may look fearsome, but everyone is well-behaved and pleasant. By contrast, bigger creatures keep eating smaller ones (much like in Jon Klassen's Hat trilogy) in the knight's kingdom on the left side of the book. Will the intended audience recognize the xenophobia depicted here? Probably not. But the message that walls don't help us understand our neighbors will stick. Preschool-Grade 2. Copyright 2018 Booklist Reviews. - Horn Book Guide Reviews : Horn Book Guide Reviews 2019 Spring
A wall (i.e., the book's gutter) separates a knight from an ogre and his jungle-animal companions. Readers' ability to see both sides of the wall simultaneously provides the humor as floodwaters (filled with voracious sea creatures) rise on the oblivious hero, who's eventually rescued by the ogre. Lightly toned watercolor illustrations with plenty of white space keep things upbeat, emphasizing the dramatic and comic possibilities of a pair of eyes. Copyright 2019 Horn Book Guide Reviews. - Horn Book Magazine Reviews : Horn Book Magazine Reviews 2018 #6
Unlike Richard Byrne's This Book Just Ate My Dog! (rev. 1/15), wherein the book's gutter did service as a chasm to be negotiated by the characters, here it is a wall separating an idyllicâha!âexistence for a young knight from an ogre and his jungle companions. They don't look so bad, which proves to be a good thing for the knight when his side of the wall begins to flood and the ogre reaches over and rescues him. It's a solid wall, thank goodness, if a slim premise; the humor comes from our ability to see both sides of the wall at once, as well as the floodwaters (filled with voracious sea creatures) rising on our oblivious hero. Lightly toned watercolor illustrations with plenty of white space keep things upbeat, emphasizing the dramatic and comic possibilities to be found in a pair of eyes. The book is too funny to fall into allegory: that wall never does come down, but our little protagonist is in for a wonderful new life. roger Sutton Copyright 2018 Horn Book Magazine Reviews. - Kirkus Reviews : Kirkus Reviews 2018 August #2
A wall separates the two sides of a book. But what happens when there is danger on the side that's supposed to be "safe?" When a brick falls from the wall, a cheerful, ladder-carrying knight arrives to repair it from the verso side. On the other, recto side of the wall, a small team of angry-looking animalsâa rhino, a tiger, and a gorillaâarrives to investigate. The brick wall straddles the book's gutter from the ground at the very bottom of the spread and breaks the frame skyward, blocking those on each side from viewing the other. Using first-person narration, the knight tells readers that their side of the book is "safe" and that the other side is not. But, when the illustrations slowly reveal what lurks on the knight's side, the knight's theory doesn't quite hold water. Or does it? Agee's expert interplay between words and pictures invites readers to question the narrator's reliability. Every illustration is a double-page spread (even the unfolded book jacket) , and Agee's signature washed-out color palette and expressive cartoon character designs shine. Animal and human characters alike break the fourth wall to communicate with readers through facial expressions, brilliantly accentuating the contradictory word-picture dynamic. The knight presents white. With too much attention toward outward threats, the knight neglects to see those from withinâa timeless message but also one that, in 2018, will surely strike a chord with many readers. (Picture book. 3-6) Copyright Kirkus 2018 Kirkus/BPI Communications. All rights reserved. - Publishers Weekly Reviews : PW Reviews 2018 July #5
In this sly fable by Agee (
Copyright 2018 Publishers Weekly.Life on Mars ), a tall brick wall runs along the book's gutter, and the action takes place on either side. On the verso, a short, perky knight approaches the wall with a ladder. On the recto, a menacing-looking tiger and rhino lurk. "The wall protects this side of the book" the knight explains, "from the other side of the book." The contrast between the knight's cheery, confiding tone and the outsize dangers supply hilarity, and blocky images in faded hues soften potentially scary moments. As the animals flee, the knight's side of the wall starts to fill up with water. "The most dangerous thing on the other side of the book is the ogre," the knight says from his ladder, oblivious to the deepening flood, finger raised in emphasis. Enter the ogreâuh oh. As ever, Agee nails pacing and punch lines, making inventive use of the famous fourth wall as a literary device (and giving the book a new wall altogether). Most satisfying is his gentle reminder that preconceived notions about things and people, over a boundary or otherwise, are often distinctly wrong. Ages 4â8. Agent: Holly McGhee, Pippin Properties. (Oct.) - School Library Journal Reviews : SLJ Reviews 2018 September
Copyright 2018 School Library Journal.PreS-Gr 3â There's a wall in the middle of this book. And it's a good thing, because it protects one side of the book from the other side. Or, at least that's what the hero of the book, a young knight, thinks. As the knight warns readers about all of the dangers on the other side of the wallâlike tigers and mean ogresâhe remains oblivious to the rising water and crocodile who are sneaking up behind him on his side of the wall. Before the water engulfs him completely, the knight is rescued by a surprising savior, and he soon learns that things may not be so bad on the other side of the wall after all. The knight's journey reminds readers that instead of building walls, we should be tearing them down in order to understand who or what is on the other side. Agee's simple illustrations combined with his trademark humor and ability to let readers in on a secret that the protagonist knows nothing about, combine to solidify him as a hilarious picture book master.VERDICT A silly read-aloud with an important message. A solid choice for storytime and one-on-one sharing.âElizabeth Blake, Brooklyn Public Library
